The idea of 'The Still Moving Image' which I discussed at length in my final dissertation, came from the video artist, Bill Viola, who slows down his images to such an extent that the movement becomes an incredibly intense and intimate experience for an audience to watch. I was stuck for a while just using photography, which I feel is relevant to the ideas within my work in that a photograph represents a single moment in time, a snapshot, a fragment, and it feels poignant to look at photographs for precisely this reason, that it is a moment in time forever frozen and perfect within that single frame. To turn my work into an animation therefore didn't feel quite the right thing to do, until I looked into the work of Bill Viola and started thinking about a single instant in time as a memory replaying on a continuous loop, as 'persistent' memories often do.
So, with all this in mind, my 'still-moving' image plays on a continuous loop into my installation space. The image becomes the persistent memory of the character of the old sailor who is haunted by, or maybe comforted by, memories of the woman.
(This clip is also accompanied by sound, which may or may not be the final version depending on how much time I have left before the deadline!)